You must have had to consider the constraint of colour. Can you tell us about that stage?
When you start with dormant stock, you don't get to choose the colour. And these are often the hardest colours to work with. For example, we wanted to make the Rattan Yellow brighter. We carried out a lot of trials. Which colour or metal would make it look best: gold? Silver? We did the same with the Rose, revived with a pop of blue, and silver metal. As for grey, it's a colour that's easy to work with, so we had less need to add a pop of colour.
You must have had to consider the constraint of colour. Can you tell us about that stage?
When you start with dormant stock, you don't get to choose the colour. And these are often the hardest colours to work with. For example, we wanted to make the Rattan Yellow brighter. We carried out a lot of trials. Which colour or metal would make it look best: gold? Silver? We did the same with the Rose, revived with a pop of blue, and silver metal. As for grey, it's a colour that's easy to work with, so we had less need to add a pop of colour.